The Fleeting

Although I’d prefer to just throw these videos up I think their subject deserves contextualization: This is a thoughtsickle on the relationship between the temporary and the permanent, the ‘good’ and the ‘bad,’ academics and the world they hold themselves above yet claim to write about the essence of in some sort of timeless insight into the nature of human existence. The tension between the temporary and the timeless and opposition of permanent human nature and temporary relevance, is interesting in contrast to someone whose permanent legacy is work that embraces the fashionable and the seasonal, yet is striking for its humanity, presence, and insightfulness into what may be human nature- or existence itself.

‘One of the strongest criticisms you can levy on an academic is to call their work fashionable’ – paraphrased from the Little Red Schoolhouse acclaimed academic writing program at UChicago

‘Fitting one’s work into anthropology is often tricky- does your study have relevance beyond the current trend? And what does it mean to make the topic into a subcategory, which has sometimes sunk the topic and people’s then boxed-in reputations and careers with them. We’re just getting over a time when it was fashionable to compare the global and the local- all people were talking about was the global versus the local in various topics and places all over the world. But at the time, it was what you had to do if you wanted funding. Before that it was [I forgot] and now it’s [I inconveniently forgot]‘ – poor paraphrasing of a conversation with Professor S. Scott

1) In Flower

2) Fall?

3) Ice Pack

4) Wistful

Four (un-embedable and therefore self-sourcing) excerpts from the work of the poorly photographic, yet marvelous street photographer Bill Cunningham


In Contrast to the Scholar: Through the Photographer’s Lens

From the photography blog,, by Justin Kern.  The most recent post is on how to improve one’s photography.

“All photographs are indeed lies: they are lies that we use to tell a truth.”

“Let go of the idea that your photographs should represent the real world perfectly, embrace the idea that your photographs should communicate the emotional state of a person, place or event to your audience.”

Briefly On History and Religion

Hi all.  With respect to the mission of this blog, I do not intend to editorialize here, but I would like to take this moment to provide a few introductory words.  Let me begin with expressing how excited I am to be involved in this collaborative effort, and I really dig the ideas and intentions in producing this space of sharing knowledge.  Well, thats it.

I wish to share an excerpt from Bruce LIncoln’s recent book, Gods and Demons, Priests and Scholars: Critical Explorations in the History of Religions.  For a bit of preliminary context, Lincoln is a Professor at the University of Chicago, and his work arguably defies basic categorization, as he moves throughout conducting historical research of religions, as well as employing a critical anthropological approach in his studies.  This recent book is a collection of essays, involving case studies from across the world and range from the contemporary to the deep past, as he attempts to provide a framework for a critical approach to the study of religions.  This portion I have selected is the entire first chapter; it is less than 3 pages.

Theses On Method

(1)  The conjunction of that joins the two nouns in the disciplinary ethnonym “History of Religions” is not neutral filler.  Rather, it announces a proprietary claim and a relation of encompassment: History is the method and Religion is the object of study.

(2)  The relation between the two nouns is also tense, as becomes clear if one takes the trouble to specify their meaning.  Religion, I submit, is that discourse whose defining characteristic is its desire to speak of things eternal and transcendent with an authority equally transcendent and eternal.  History, in the sharpest possible contrast, is that discourse which speaks of things temporal and terrestrial in a human and fallible voice while staking its claim to authority on rigorous critical practice.

(3)  History of religions is thus a discourse that resists and reverses the orientation of that discourse with which it concerns itself.  To practice history of religions in a fashion consistent with the discipline’s claim of title is to insist on discussing the temporal, contextual, situated, interested, human, and material dimensions of those discourses, practices, communities, and institutions that characteristically represent themselves as eternal, transcendent, spiritual, and divine.

(4)  The same destabilizing and irreverent questions one might ask of any speech act ought to be posed of religious discourse.  The first of these is Who speaks here? — that is, what person, group, or institution is responsible for a text, whatever its putative or apparent author.  Beyond that, To what audience?  In what immediate and broader context?  Through what system of mediations?  With what interests?  And further, Of what would the speaker(s) persuade the audience?  What are the consequences if this project of persuasion should happen to succeed?  Who wins what, and how much?  Who, conversely, loses?

(5)  Reverence is a religious and not a scholarly virtue.  When good manners and good conscience cannot be reconciled, the demands of the latter ought to prevail.

(6)  Many who would not think of insulating their own or their parents’ religion against critical inquiry still afford such protection to other people’s faiths, via a stance of cultural relativism.  One can appreciate their good intentions while recognizing a certain displaced defensiveness, as well as the guilty conscience of Western imperialism.

(7)  Beyond the question of motives and intentions, cultural relativism is predicated on the dubious–not to say fetishistic–construction of “cultures” as if they were stable and discrete groups of people defined by the stable and discrete values, symbols, and practices they share.  Insofar as this model stresses continuity and integration of timeless groups, whose internal tensions and conflicts, turbulence and incoherence, permeability and malleability are largely erased, it risks becoming a religious and not a historic narrative: the story of a transcendent ideal threatened by debasing forces of change.

(8)  Those who sustain this idealized image of culture do so, inter alia, by mistaking the dominant fraction (sex, age group, class, and/or caste) of a given group for the group or “culture” itself.  At the same time, they mistake the ideological positions favored and propagated by the dominant fraction for those of the group as a whole (e.g. when texts authored by Brahmins define “Hinduism,” or when the statements of male elders constitute “Nuer religion”).  Scholarly misrecognitions of this sort replicate the misrecognitions and misrepresentations of those the scholars privilege as their informants.

(9)  Critical inquiry need assume neither cynicism nor dissimulation to justify probing beneath the surface, and ought to probe scholarly discourse and practice as much as any other.

(10)  Understanding the system of ideology that operates in one’s own society is made difficult by two factors: (a) one’s consciousness is itself a product of that system, and (b) the system’s very success renders its operations invisible, since one is consistently immersed in and bombarded by its products that one comes to mistake them (and the apparatus through which they are produced and disseminated) for nothing other than “nature.”

(11)  The ideological products and operations of other societies afford invaluable opportunities to the would-be student of ideology.  Being initially unfamiliar, they do not need to be denaturalized before they can be examined.  Rather, they invite and reward critical study, yielding lessons one can put to good use at home. 

(12)  Although critical inquiry has become commonplace in other disciplines, it still offends many students of religion, who denounce it as “reductionism.”  This charge is meant to silence critique.  The failure to treat religion “as religion”–that is, the refusal to ratify its claim of transcendent nature and sacrosanct status–may be regarded as heresy and sacrilege by those who construct themselves as religious, but it is the starting point for those who construct themselves as historians.

(13)  When one permits those whom one studies to define the terms in which they will be understood, suspends one’s interests in the temporal and contingent, or fails to distinguish between “truths,” “truth claims,” and “regimes of truth,” one has ceased to function as historian or scholar.  In that moment, a variety of roles are available: some perfectly respectable (amanuensis, collector, friend and advocate), and some less appealing (cheerleader, voyeur, retailer of imported goods).  None, however, should be confused with scholarship.

Lincoln, Bruce

2012  Gods and Demons, Priests and Scholars: Critical Explorations in the History of Religions.  University of Chicago Press: Chicago, p. 1-3.

An open invitation to ‘sense politics’

This is a collective reading, hearing, and listening journal, a chronicle of passages, words and expressions, images both still and moving, acoustics, and memoranda towards unimagined futures waiting to be discovered.

I will share some visions, masquerading as guidelines if you may, on how this space could be used:

1. You come across a passage, image[s], sequence[s] in a film, sounds or a combination that you, for some reason, would like to extract and share it on thoughtsickle.

2. Log in to wordpress, compose and submit a new post with only the extract. List the source of your chosen extract at the end of your post.

3. Try to keep your reasons to yourself, if possible, unless introductory, biographical, or other forms of commentary are in someway vital to your extract.

That’s it, truly. That’s all there is to thoughsickle. There are, as you are already aware of, many academic blogs offering a range of opinions on several fields of thought. I do not want thoughtsickle to be a space for us to comment on the extracts we choose to share, however witty, insightful, crass, condescending and effusive it may be. Some commentary, as we all have come to experience, is inevitable and should be filed under the comments category of the respective post.